No time to mess around this week, as this is one jam packed show. What does ‘jam packed’ mean, anyway?
Of course, even with a sense of urgency, Jason and I don’t move things any faster. We start things off by talking about our most anticipated movies of the year, with Jason saying Benedict Cumberbatch’s name in a way that needs to be heard to be believed.
After this bit of nonsense, Jason and I get filmmaker Brandon Slagle on the show to speak about all aspects of the business. He mentions how he got his new directorial effort House of Manson distribution, and why he is more proud of this effort than his other films. Slagle also mentions his ‘BFF’ Ben Affleck, and how he feels Ben is going to do in Batman Vs Superman. More things about the action genre are spoken about, and we finally let the very busy Slagle go back to his duties.
Unfortunately, House of Manson is only being distributed in the UK for the time being. But keep an eye out for physical distribution in the US soon. Any UK listeners (ahem, Nate) here is the Amazon UK link to purchase a copy. Despite a pretty off and on Skype reception, this was a very interesting conversation and we look forward to speaking with Brandon again in the future.
But that isn’t all. Much like the action theme of this particular show, the action never stops as I finally get old favorite Adam Simon back on the show to let loose on his current Hollywood thoughts. Oh sure, we speak about how his films Synapse and Man Down are coming along in the distribution department. But we cover even more topics. From his buddy Clifton Collins Jr’s book Prison Ramen to his thoughts on Star Wars: The Force Awakens to even some Oscar talk, there is no topic off limits. Expect more participation of Simon, as well as more about Prison Ramen, in the Aftertaste’s future.
Jason and I close the show off by talking about our own feelings on how the action genre is holding up in today’s climate. Are we in line for even more spandex ladened franchises? Will there be another The Matrix to knock our socks off? Was The Matrix even original?
Click that little download button located at the bottom of this article to find out!
One more note: You may have noticed a voice at the beginning of these podcasts who introduces each show for me. That gentleman, my Anonymous Announcer Guy as I like to call him, has just started his own podcast about comics, films, and the ilk. Check him out if you have a chance:
2015 was a pretty exciting year for pretty much everything. A lot happened personally, professionally and psychically, as I am now a certified medium and gypsy palm reader. A married, medium, gypsy palm reader. Though 2016 has started off with Oscar boycotts, Snowmaggedon, and the deaths of David Bowie, Lemmy, Glenn Frye and my uncle (all formidable rock stars in their own right), here’s to the year tapering off the negative for a positive upswing. In order for me to close the book on 2015, here’s a quick list of some of my favorite things of last year in film, TV, personal moments, music and other shit. There’s plenty that I’m sure I’m missing, but like the great Lipps Inc said, “gotta move on.” Yes, that’s a Funky Town reference, which is my own personal philosophy.
Ben Mendelsohn
Netflix’s original show “Bloodline” had great writing, a visually hypnotic look and talented cast. However, you’d be hard pressed to find a more antagonistic, menacing yet charming character than Danny Rayburn, played by the amazing Ben Mendelsohn. While the show, at times, lost me, I chalk that up to: 1) binge watching the entire season in a few days and 2) my interest waning when Mendelsohn was not on screen.
Check out:Animal Kingdom, Mississippi Grind
My Top Films of the Year
Check out:The BingeCastwhere Law, Ammon and myself give our favorites of the year as well as the worst movies of the year.
Jerseypalooza
For the second time in a year, I visited the tri-state area with my chick to drink like an asshole and get ink by PeteMC’s now wife, MC. We stayed for about four days and the trip provided a brief respite from planning a whole fucking wedding ourselves, as we were a month out from the big day. We met up with TM and KariTM and finally got to meet longtime friend Logan, who now does the timestamp for the BingeCast like a cocksucker. It can’t be repeated enough that the internet is an amazing way to connect with like-minded people who eventually become the closest people in your life. That, and of course, stealing movies and music and porn illegally.
Earlier in 2015, I was up in New York’s guts for the first time ever. It was February, it was snowing, probably the worst time of the year to visit New York. But being a lifelong Chicagoan, the snow didn’t bother me and we braved some pretty gross weather to hit up our new favorite Midtown bar Rudy’s, MOMA (where I weeped in front of “The Starry Night”….I was hungover), and a NY slice of pizza and pretzel. As a music first fan, the topper of the trip was being brought up on stage to sing a few songs with TM and PeteMC’s band, Daddy NoBux. I cannot thank those assholes enough and I tried to not to take advantage of their generosity by demanding they play every sounder we’ve recorded.
Sometimes life dictates that you need a kick in the ass. I wasn’t particularly looking for a life change in 2015 (with a wedding and some other familial issues transpiring during the year) but the roots of it were buried within and pulled out from a good friend of mine. I met up with her in New York after not seeing her for a couple of years and we immediately picked up where we left off. When she asked what I’ve been doing for work, she was appalled that I wasn’t doing anything creative. The next hour, over brunch in the Jane Hotel, she proceeded to hand me my ass, not accepting any excuses and giving me the kick in the ass that I needed. It still took another 10 months to get my ass in gear, but I’m now on my way back into freelancing, and I couldn’t be happier.
Check out:The Tim Ferriss Podcast. Ferriss talks to top performers in various industries in order to deconstuct their methods of success. His book The Four Hour Work Week was/is a huge inspiration in transitioning from a soul sucking job into doing something more worthwhile.
TV
TV in 2015 had its fair share of highlights but what made it great was the diversity of shows. Fargo returned with a wider scope and fantastic co-leads in Patrick Wilson and Kirsten Dunst, and while the show maintained its quality successfully, it fell just short of the brilliance of its first season. HBO’s miniseries The Jinx and Show Me A Hero were stellar and have now become required viewing when suggesting shows, and their original programming remained solid with Game of Thrones, Veep and The Leftovers (still need to catch up on S2). Netflix continued to impress me with their run of original series like the smartly written and funny Master of None, Narcos, Daredevil, Jessica Jones (both Marvel series were pleasant surprises), Bloodline and UnbreakableKimmy Schmidt, while the third season of Orange is the New Black felt flat, repetitive and underwhelming. Amazon released the light comedy, Mozart in the Jungle, which was enjoyable. Shows we said goodbye to were F/X’s Justified, a series that had its ups and downs but ended nicely, and network TV’s most consistently funny sitcom perhaps ever, Parks and Recreation, kept true to its roots and gave the fans the ending they deserved. USA came to the table with Mr. Robot which wore its influences on its sleeve to the degree that by the end, it turned me off, and Better Call Saul premiered with a hint of Breaking Bad nostalgia yet original enough to not feel rehashed. Kurt Sutter whined, took his ball (The Bastard Executioner) and went home after nobody watched it.
Some of the shows I did not see, so don’t bitch at me: Mad Men, The Affair, The Walking Dead, Fear of the Walking Dead, You’re the Worst.
Check out:Mad Men, The Affair, The Walking Dead, Fear of the Walking Dead, You’re the Worst.
Randomly meeting Jeff Tweedy
Jeff Tweedy is kind of a big deal, to not only me but to music and Chicagoans in general. While not a native Chicagoan, we do consider him Chicago’s son. After buying this hat (which I drunkenly lost in Mexico), my chick, her parents and my kid ended up at a burger joint on the northside of Chicago. A guy walked in to pick up an order and I couldn’t help but notice a striking resemblance to the Wilco frontman. He sat down at the table next to us and I couldn’t help but creepily stare at the menu while side eyeing like said creep. After a few minutes, my inner nagging got to be too much and I asked him if he was indeed Jeffy Tweedy from Wilco, to which he replied in the affirmative. We small talked about the local station WXRT, where he’s done plenty of local stuff with and where I used to work, all while completely ignoring my family. Which is just fine with me. He was nice enough to take a pic, which he really didn’t want to, and I immediately threw on Sky Blue Sky when we eventually got in the car. It’s my favorite Wilco album, shut up.
Check out: Jeff Tweedy at the Unity Concert in Parks and Rec.
Father John Misty
I don’t know how or where I first heard of Father John Misty, but I was immediately hooked. His lyrics filled with sarcasm, humor, and contempt pulled me in, held me tight, and then kicked me to the curb. But I was back for more. J. Tillman mixes his sound with folk, gospel, 80s The Cure and even a bit of post 00s melodies and production. It’s an album that I listen to constantly due to its nuanced and ethereal sound. What am I saying? It’s fucking good, shut up.
Check out:The Night Josh Tillman Came to Our Apartment – The lyrics are as bitingly angry and sarcastic as the song is sweet.
Stand Up Specials
To be fair, I didn’t watch many stand up specials this year, maybe a handful or so, but the two that really stick out in my mind is Anthony Jeselnik’s Thoughts and Prayers and Chelsea Peretti’s One of the Greats. Both specials did something different in terms of stand up presentation that matched their comedy perfectly. For the “offensive” and “line crossing” Jeselnik, the backdrop is textured with a hue of blue, giving an ice cold, villain-esque presence to Jeselnik, and the audience lit in a deep red giving the illusion that those laughing will be doing so in hell. Peretti on the other hand plays with stand up convention by fucking with audiences expectations of reaction shots by editing in dogs and sleeping audience members into these shots, adding to the already silly, tongue in cheek idea that she is, in fact, one of the greats.
Check out:
Weddingpalooza
Ah, what would a year be without a Bingeapalooza. It’s that special time of year where the Chicago boys are met with Law (sometimes others) and we slap each other in the face with our penises and show our livers who’s boss. This year, as you know, was much different being that my wedding was the center event and not Jim Law, despite his demands to officiate the wedding. Because what we need is a big dumb Canadian saying, “You guys like each other, eh? You’re married, brah.” Good one. Law, Supka, Luke, and Ammon all convened, took mushrooms, drank a lot of beer, and did irreparable damage to their bodies and souls while I drank a lot and danced a lot with my lovely bride. It was literally one of the best days of my life and I can’t thank my chick enough, as well as the boys right here. Also, my favorite part of the wedding was Law eating a tamale with the corn husk on and then yelling that there weren’t “eating tamale instructions.” What an asshole.
There are some horses within the entertainment business which are just too fun to repeatedly beat down, aren’t there? You have Kim Kardashian and Kanye West, whose reasons we tear them down with words are so easy to justify. There is what goes through us keyboard warriors’ minds when we see our favorite childhood film get mentioned in the ‘remake’ category. My impression of these types goes as so: “Oooohhhh, where is my iphone so I can rant on Facebook about how much this remake is a disgrace to society. FUCK HOLLYWOOD!” Don’t worry. I’ve been there too.
However, there is one nail people within the online community will not stop hammering in, no matter how delicate the wood block is. For some reason, people love to say just how much of a hack director Brett Ratner truly is. They like to point out the entire Rush Hour series, as well as X-Men: The Last Stand as examples of a director who really has no idea of what he’s doing. However, I am here to refute that.
Let’s start by dissecting his situation with that last film mentioned. By the time Ratner took the directing reigns of The Last Stand, the whole behind the scenes situation on the film was already in shambles. A cantankerous director by the name of Bryan Singer had switched franchises mid prep, deciding to try his hand at a Superman story. And the script was a mess, mostly due to the egos of some cast members insisting on bigger parts, and these requests being honored. Now I will probably be trolled like hell for saying this. But given what he was given, I do not think Ratner did a bad job with X-Men: The Last Stand. At the very least, I feel it is far from being the worst film baring the X-Men name -that would be X-Men Origins: Wolverine– and the movie actually flows at a rapid fire clip without seeming too jumbled. A common film misconception is that people think the feel of a movie is established on the page before cameras roll. But the truth is, all aesthetics and narrative flow is done by the director. On page, X-Men: The Last Stand had the makings of a disaster. But, dare I say thanks to Ratner’s sly hand, it isn’t nearly as bad as its reputation.
However much I am defending the guy’s talent, let me move on to something I feel he does perhaps better than the majority of directors out there. When handed a script like 2002’s Red Dragon, and given all the main Oscar nominated and winning actors that were on that film, the possibility of ego overload, much like Singer let happen on X-Men, was upped to its full capacity. Just take a glimpse at the Red Dragon cast list: Edward Norton, Anthony Hopkins, Ralph Fiennes, Harvey Keitel, Emily Watson, Mary Louise Parker, and Philip Seymour Hoffman. Hopkins and Norton do not have the best behind the scenes reputations, and Fiennes doesn’t exactly exude warmth. Yet Ratner’s ability to keep all of their egos under control, as well as keep the film under budget and on time, is a feat that not many directors in his position as the ‘Rush Hour‘ guy could handle. Just listening to Ratner’s commentaries, he gives off such a passion for what he does, that I know it has to rub off on set.
Another thing people might not know about Ratner is just how much of a producer he is. In fact, his directing career has been tapered in recent years because the guy’s producing resume is impressively piling up. Here are just a few titles he has produced: Catfish, Prison Break (HBO), Mother’s Day (remake), Mirror Mirror, Jersey Boys, Electric Boogaloo: The Wild, Untold Story of Cannon Films. Oh yeah, and a little movie called The Revenant.
Like it or not people, Ratner is a Hollywood player. Knock Tower Heist all you want. I think that Hollywood needs more people like him, if only for the passion each of his projects brings out of him. Yes, his mouth can get the best of him at times (which is how he lost an Oscar directing gig a few years back). But in this society of ‘everything needs to be PC,’ Ratner’s candor is kind of refreshing. As is, dare I say, his directing style.
A Few Words About David Bowie’s Passing
First of all, I am not going to sit here and pretend that the late great David Bowie played a huge part in my life. I was not an outcast who had Ziggy Stardust plastered all over my walls. Nor did I watch Labyrinth on repeat. Truth be told, with the exceptions of a couple Rolling Stone Magazine interviews, a collaboration with Trent Reznor, and a flash of tabloid covers depicting his supposedly bizarre early lifestyle and marriage to former supermodel Iman, Bowie was pretty non existent in the first two and a half decades or so of my life. Even with everyone telling me that Marilyn Manson’s 1998 album Mechanical Animals, an album I absolutely loved, was an almost plagiaristic rip-off of Bowie’s own Ziggy Stardust persona, I never thought twice about him.
When I entered my mid twenties, something happened. I was still attending college, which meant many hours were spent on a bus listening to things to pass the time. One rainy night, I was listening as Howard Stern’s Sirius Radio show went off the air, and for some reason he decided to play a block of Bowie tunes. All of which, and this is something all good music does, felt like were written specifically for me. This one block of music drove me to pick up as much of his catalog that I could.
It was also around this time when I decided to, for the very first time, check out Labyrinth. The mid 80s Jim Henson/George Lucas collaboration is looked at by many as a first rate achievement in making musicals cool for kids. But if there is one thing I regret about my fantasy ridden childhood, it’s that I did not discover Labyrinth earlier. Watching it as an adult, it just did not resonate with me, and I almost felt bad about it.
Nonetheless, Bowie played a part in not necessarily my growing up or outcast cries for help. It was in his, ironically, ability to speak to me about how to become a man. Yes, there are fantastic ways of hiding from your problems and avoiding head first dives into reality. But it isn’t until you look these realities in the eye, IE Buddha of Suburbia, when you are able to transcend not only that reality’s surefire truth, but facing and making it a cummapance.
RIP Goblin King. You may not have been my childhood spokesman. But I respect your ability to do so when everyone else was fighting against what you represented.
Holy crap. We had a little bit to get through after two weeks off. That results in 17 movie reviews, our 13 Worst Films of the Year, a handful of shows in TV Round-Up, a couple voicemails yelling at us, and many beers in my belly.
In no particular order, we talk THE HATEFUL EIGHT, TRUMBO, THE REVENANT, SPOTLIGHT, BRIDGE OF SPIES, THE BIG SHORT, THE FORCE AWAKENS, CHI-RAQ, STEVE JOBS, ANOMALISA, SPECTRE, THE PEANUTS MOVIE, BONE TOMAHAWK, Making a Murderer, F is For Family, Billions, Luther, and a thousand other things my brain blocked out when I fell asleep on the toilet.
We also get angry with each other over our NEW YEARS EVE Movie Homework. It’s everybody’s fault. Except mine.
0:03:05-Weekend holidays got in the way of two weeks of Bingecasts. Apologies if you were butthurt because of the absence. LISTS. Making a Murder full length discussion will happen most likely on another podcast. You’ll listen to it because you can’t get enough, you obsessed asshole.
0:14:25-MOVIE HOMEWORK: New Year’s Eve. Fuck, really? Ugh.
0:37:20-TV ROUND UP. A little bit of Making a Murderer talk to tease you cocksuckers. Law discusses F is for Family, which Moreno approves of. The bald one also check out Billions and the the newest couple episodes of Luther. Law is a sad panda about Preacher news. Moreno and Ammon are still behind on the Leftovers. The taco lover started his Archer journey, and still states he won’t watch the upcoming season of Game of Thrones because George R. R. Martin is a lazy bastard. 11.22.63 Trailer gets mentioned.
1:32:20-WHAT DID YOU WATCH? Here we go. A three way (ew) discussion of The Hateful Eight kicks things off. The boys tackle The Revenant and a possible award for Leo. Next up is Trumbo, which surprised everyone. After a pee break, Moreno and Ammon give Law advice on Anomalisa. Moreno dissects Steve Jobs. Law bitches about Joy and In the Heart of the Sea, and then continues on with Chiraq, Creed, Spectre, Spotlight, and The Big Short. Moreno is pissed off about Black Mass. Ammon, at machine gun pace, talks about The Force Awakens, (It’s a-me,) Sicario Everest, Shaun the Sheep, Kingsmen, The Peanuts Movie, Bone Tomahawk, Bridge of Spies, and Dark Places. FUCKING WHOA.
3:27:30-Law, Moreno, and Ammon piss all over their choices for Worst Films of 2015. Have a nice fucking day.