This column will introduce you to the most popular movies that are coming out in theaters this weekend.
What movie will you see?
9/11
This September 11th backdrop flick, tells the story of 5 people who are trapped in an elevator in the North tower. Starring in this drama are Charlie Sheen, Whoopi Goldberg, Gina Gershon….wait, do I have the right movie? This seems like a cast from the 80’s or 90’s! Anyway, also starring are Luis Guzmán, Bruce Davison (X-Men), Wood Harris (Ant-Man), and more. Martin Guigui is the writer and director of 9/11. Guigui directed 2016’s The Bronx Bull, starring William Forsythe.
Crown Heights
Based on a true story, Colin Warner is wrongfully accused and convicted of murder. However, his friend Carl will do whatever it takes to prove his innocence. Starring in this biographical drama is Lakeith Stanfield (Get Out), Zach Grenier (Fight Club), Nestor Carbonell (LOST), Bill Camp (The Night Of), and more. Matt Ruskin is the writer, director, and producer of Crown Heights. Ruskin has directed a couple documentaries and produced 2016’s The Infiltrator. If you love true crime stories, then go check this out.
Home Again
A single mother lets three young guys live in her guest house and as she starts to fall for one of them, her ex-husband decides to pay a visit. Dun Dun Dun. No, it’s not a horror movie. Just a rom-com type of flick. Reese Witherspoon stars as Alice Kinney, while the rest of the cast includes, Nat Wolf (Death Note), Lake Bell, Michael Sheen, Candice Bergen, and more. Hallie Meyers-Shyer is the writer/director of this flick. This is Shyer’s first writing and directing credit. Don’t feel like staying home again this weekend? Then go check out Home Again.
It
Based on the popular Stephen King novel, It tells the story of a monster who appears as a clown and hunts kids. Starring in this October horror release…..dammit, so close to October….anyway, starring in this September horror release are Jaeden Lieberher (Midnight Special), Finn Wolfhard (Stranger Things), Bill Skarsgård, and more. Directing It is Andy Muschietti, who wrote and directed 2013’s Mama. There are 3 writers on this film, Chase Palmer, Cary Fukunaga, and Gary Dauberman. Fukunaga has written Beasts of No Nation and directed Season 1 of True Detective, while Dauberman has written scripts for Annabelle, Annabelle: Creation, and 2018’s The Nun. Go see It.
Starring: Reese Witherspoon, Sofia Vergara, Matthew Del Negro, Michael Mosley, and Jim Gaffigan
I find comedy to be the hardest genre of film to critique because there are never more than two ways to approach it. You either laugh or you don’t. There is no in-between. This being said, something tells me I am completely out of it when it comes to comedy. For example, even though they are looked at as our modern successful comedy blue prints, I have never consistently laughed at a Judd Apatow film. But there is one experience in recent years that told me that I will never understand why people find things funny. I still remember the screening of The Heat I attended like it was yesterday. I sat completely stone faced as Sandra Bullock and Melissa McCarthy traded vulgar jabs…and the ENTIRE theater could not get enough, almost literally falling out of their chairs. It was one of the weirdest experiences I have ever had in a movie theater. Which leads me to Hot Pursuit. Yes it had Reese Witherspoon in comedy mode. Yes it had Sofia Vergara looking hot and showing her skills—which consist of looking hot and little else. Yet Hot Pursuit was directed by Anne Fletcher, who did a guilty pleasure of mine from a few years ago, which coincidently also starred Bullock, titled The Proposal. Could Fletcher possibly make a diamond out of the coal rock this movie looked to be from the very first trailer?
Nope. Hot Pursuit is a soulless, brainless romp which tries some offhand moral play about beauty being underneath the surface. It’s too bad the film’s writers couldn’t find a thing to make it funny or heartfelt, as jokes such as someone getting tasered because they yelled ‘shotgun’ trying to get in the front seat of a car are of the norm here. Hot Pursuit tells the story of Officer Cooper, the daughter of a late and highly respected police officer who is doing the best she can to put the respect her father earned on the back burner with antics such as the one I described above. Determined to set her name straight, Cooper volunteers to escort Daniella, the wife of a major drug lord, to Dallas so that she can testify against him. After a shootout at his mansion renders her husband dead, Cooper and Daniella end up on the run, all while being pursued by dirty cops and bad guys.
Now I have no problems with a recycled premise as long as new exciting things are done with it. The buddy/cop storyline has been done a million times, with at least 900,000 of those being more than a little entertaining to me. But Hot Pursuit falls flat on its face. Daniella calls Cooper ‘Officer Lesbian’ as a running joke, and a way too small shirt Vergara wears with the phrase ‘Butter My Biscuits’ written across her chest is supposed to make us smile as well. It is unbearably embarrassing that Witherspoon, whose 2014 consisted of producing the David Fincher flick Gone Girl and gathering an Oscar nomination for her turn in Wild, would pick this type of easy comedy as her next project. Co-produced with Vergara, this is the Witherspoon we saw almost immediately after 2005’s Walk The Line. Someone going through the motions. And that is sad, because I saw her career going in a different, respectable direction after she took a part in 2013’s Mud, right when her career could have been derailed after an embarrassing real-life cop encounter.
The obviousness and perfunctory lameness of Hot Pursuit‘s script comes to a head in a scene where Witherspoon and Vergara kiss to distract a thug. Witherspoon’s invested involvement notwithstanding, it is confounding she would do something like this with a generic actress like Vergara. Her range is limited at best, and there are enough jokes at her thick accent’s expense to fill a 7-11 slurpee machine. The thing is they didn’t even have a hint of the onscreen chemistry needed to pull the comedy off. Neither character is compelling, and the aforementioned attempt at a message about assuming comes together when Cooper finally tells Daniella her first name. You can safely assume -oops- this scene’s emotional resonance is about as flat as a 2 day old soda.
As you can tell, I could not stand Hot Pursuit. I thought it was an awful display of lazy writing and pandering comedy. Yet all that being said, I am obviously out of it when it comes to comedy, So the movie is more than likely going to be a huge hit with packed cinemas laughing at everything I didn’t.
It’s nice to see that logo back, isn’t it? After starting a series on the Oscars a few weeks back, I’m finally back with part two. But I’ve really got nothing to review this week. I’m literally watching my thirteenth movie of the weekend and none of them have anything to do with this year’s Academy Awards. No, I’m seriously watching my thirteenth movie of the weekend as I’m sitting here typing these words right now. I’m not going to call it laziness on the lack of original material this week, but instead…okay, I wanted a lazy weekend. Sue me. I’ve been on my couch for the majority of the past two days, watching the strangest mix of flicks, and just biding my time until tonight in anticipation of the premiere of Better Caul Saul. But I do have something fun for you.
As I’m sure you’ve figured out by now, I’m really into the fan vote around here. I usually save it for Binge Sports, but I really do like getting you involved in the things I do around here, and my coverage of the Academy Awards is no different. Therefore, I have taken the time to put together a poll for each category at the Oscars. And yes, I’ve even included the ones that a lot of you don’t really care about, but guys like me pretend that we actually know something about them. I mean, of course I know that the film from Poland is exponentially better than the one from Estonia. But hey, it’s still fun to make a guess anyway. And I was 21 for 24 last year, so I’m just putting that out there for absolutely no reason at all. So just have some fun with it over the next two weeks. And hey, it actually does take time to build 24 polls, so I actually do feel like I worked on something original. And the Oscar goes to?
BEST MOTION PICTURE OF THE YEAR
[yop_poll id=”171″]
PERFORMANCE BY AN ACTOR IN A LEADING ROLE
[yop_poll id=”172″]
PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE
[yop_poll id=”173″]
PERFORMANCE BY AN ACTRESS IN A LEADING ROLE
[yop_poll id=”174″]
PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE
[yop_poll id=”175″]
BEST ANIMATED FEATURE FILM OF THE YEAR
[yop_poll id=”176″]
ACHIEVEMENT IN CINEMATOGRAPHY
[yop_poll id=”177″]
ACHIEVEMENT IN COSTUME DESIGN
[yop_poll id=”178″]
ACHIEVEMENT IN DIRECTING
[yop_poll id=”179″]
BEST DOCUMENTARY FEATURE
[yop_poll id=”180″]
BEST DOCUMENTARY SHORT SUBJECT
[yop_poll id=”181″]
ACHIEVEMENT IN FILM EDITING
[yop_poll id=”182″]
BEST FOREIGN LANGUAGE FILM OF THE YEAR
[yop_poll id=”183″]
ACHIEVEMENT IN MAKEUP AND HAIRSTYLING
[yop_poll id=”184″]
ACHIEVEMENT IN MUSIC WRITTEN FOR MOTION PICTURES (ORIGINAL SCORE)
[yop_poll id=”185″]
ACHIEVEMENT IN MUSIC WRITTEN FOR MOTION PICTURES (ORIGINAL SONG)
[yop_poll id=”186″]
ACHIEVEMENT IN PRODUCTION DESIGN
[yop_poll id=”187″]
BEST ANIMATED SHORT FILM
[yop_poll id=”188″]
BEST LIVE ACTION SHORT FILM
[yop_poll id=”189″]
ACHIEVEMENT IN SOUND EDITING
[yop_poll id=”190″]
ACHIEVEMENT IN SOUND MIXING
[yop_poll id=”191″]
ACHIEVEMENT IN VISUAL EFFECTS
[yop_poll id=”192″]
ADAPTED SCREENPLAY
[yop_poll id=”193″]
ORIGINAL SCREENPLAY
[yop_poll id=”194″]
So who’d you vote for and why? Or did you vote for something even though you think something else should win? Let me know below or follow me and tweet @THElukenorris.
This is the fifth film in the last 17 years based on The West Memphis Three, the trio of teenagers, Damien Echols, Jason Baldwin, and Jessie Misskelley Jr, convicted of murdering three eight-year-old boys, Stevie Branch, Christopher Byers, and Michael Moore, in West Memphis, Arkansas. It’s easy to wonder how much more of this story needs to be told after the previous four documentaries (PARADISE LOST 1-3, WEST OF MEMPHIS). The answer is simply…. not a lot. In fact, this film excludes many of the most fascinating facts of this story by focusing on the initial investigation and trial of the teenagers, leaving the more recent events to be summed up by a little bit of text before the end credits. If DEVIL’S KNOT is your introduction to the West Memphis Three saga you should know that there is much, MUCH, more to this story. This is never a good thing to find out after watching a movie. Who knows though, maybe they’re planning a trilogy. Maybe not.
That said, there’s plenty enough here to tell an interesting story all it’s own. Based on Mara Leveritt’s 2002 book of the same name, the film stars Reese Witherspoon as Pamela Hobbs, the mother of one of the murdered children (Stevie Branch), as she deals with her loss, the media circus that follows, and the startling revelations that come from both sides of the trial. Much like the docs, Pamela becomes the face for the grieving parents as the moment she learns about the discovery of Stevie’s body is caught on camera for the whole world to see. Through her eyes we watch as the case slowly turns from a literal witch hunt into something a little less clear cut.
Director, Atom Egoyan, does make an effort to focus on some of the things not put under the microscope in the previous documentaries. The first being the film’s lead character, Ron Lax (Colin Firth), a private investigator that lends his services to the boy’s lawyers in order to keep them off death row. The other interesting twist that’s thrown into the mix centers around a black man, covered in blood and drenched in swamp water up to his knees, that walked into the bathroom of a local restaurant right around the estimated time of the murders. Too much curiosity for this cat.
The theme for all five of these films is that the boys were wrongly convicted of these crimes. It’s a claim that I have never doubted. When I began to research a little for this review I stumbled across the other side of the coin. Apparently there are many people that still think these men are guilty, admonishing each and every one of these films for leaving out key facts and glorifying the accused. I have a hard time believing any of this (because the moving pictures never lie, do they?) but am willing to listen to what they have to say. When is that 6th movie coming out?
Overall, what we’re left with in DEVIL’S KNOT is dramatization of one the most popular criminal cases this side of O.J. Simpson. The cast is great, as is their performances, but you can’t help but realize that’s the only reason this wasn’t a TV movie of the week. It’s a story that needs to be told, no doubt, and it has been – with the real life participants, and actual crime scene footage, courtroom footage, additional discoveries, new suspects, and tons of new evidence. Four times before.
DEVIL’S KNOT is AVAILABLE IN THEATERS, VOD AND ON iTUNES: May 9, 2014